‘Serbien können wir eh nicht entkommen.’ A review of Die guten Tage by Marko Dinić

Marko Dinić is angry. Or rather, his narrator is. To assume that author and narrator are one and the same is a cardinal error, yet given the plot devices and narrative structure of Die guten Tage, I think that the reader would be forgiven for at least wondering. Yet whether Dinić does or does notContinue reading “‘Serbien können wir eh nicht entkommen.’ A review of Die guten Tage by Marko Dinić”

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